At a certain point (it took me a number of minutes) you realize that you’re not seeing exotic, underwater life, but extreme close-up views of people squeezing blackheads. The dancing forms are filaments of pus released from under the skin, and their explosive appearance in the frame suddenly reads as grotesque and not pleasing. “I want to portray human beings as a kind of organic living being, that’s what they are actually, an organism,” Delvoye has said, and a number of his pieces use a scatalogical frame to articulate that organic nature.